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Writer Mark Stevens, and His Books

Mark Stevens at BoucherCon

Mark Stevens is an award-winning Colorado writer, former journalist, now PR and Communications Specialist, whose work caught my eye on Twitter a few years ago. He tweeted about the country’s environmental challenges, a subject near and dear to my heart, and I readily ‘followed’ him. He mentioned that his second book in the Allison Coil Mysteries, “Buried by the Roan,” had recently been published, so I picked it up. I was hooked by the topical storyline and the multi-faceted characters caught up in events tearing their beloved landscape apart.

 

The lead protagonist, Allison Coil, is a big game hunting guide in the Flat Top wilderness of Colorado. And lest you think that a woman might not really choose this as a career, Coil is based on a real-life guide that Stevens met while pondering the setting and the focus character for the series.

 

Each of his books could have been ripped from the headlines and in always absorbing writing, deal with hot-button topics, such as human trafficking, marijuana laws, undocumented workers, fracking, big game hunting, drought, and wilderness protection. But, in addition to these and other ‘big concept’ themes (and the murders) Stevens’ stories are grounded in real life, with his core characters facing the challenges of rebuilding a life in a new location, managing a small business, finding/trusting love after heartbreak.

 

Colorado’s majestic wilderness plays a major role and Stevens’ imageries put us right in the saddle as Allison rides through the Flat Tops. The big game hunts and plots unfold against a backdrop of rich country that everybody wants a piece of, but few acknowledge that through the very development they seek, the land as they know it will disappear.

 


“Antler Dust,” the book that started it all.

 

 

 

 

“Buried by the Roan”    Review here.

 

 

 

 

“Trapline”      Review here.

 

 

 

Book Cover "Lake of Fire"

 

“Lake of Fire”  Review here.

 

 

 

“The Melancholy Howl,” the fifth in the series, reveals more in the background of each of the central characters, some of it a bit edgier than before. There are glitches in the love lives of the two continuing couples and one major character has a whopper of a secret that tears at the core of his public persona. These are flesh and blood people, some with serious flaws and baggage, but all have each other’s backs in a crunch.

 

The ‘big concept’ in “The Melancholy Howl” deals with medical marijuana (legal in Colorado) and how its use and the industry has changed since the first stores opened. There is loads of money to be made, but as it turns out, there is a gap between the perceived need and the actual market, and not everyone is following the law. A plane crash, an ‘illegal’ grow, con- artists, tragedy, drought, and greed, all play a part in this gripping page-turner.

 

Mark Stevens also writes short stories, the most recent of which, “A Bitter Thing,” appeared in the May/June 2019 issue of Ellery Queen Mystery Magazine.

 

Please visit https://www.writermarkstevens.com/  for the latest news about his books and the fascinating podcasts he produces.

 

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“Pictures of You” by Caroline Leavitt

Book-Cover-Pictures-of-You-LG

 

We all have certain expectations of our spouses. In the best scenarios, we picture loving each other robustly, tenderly and forever. In those pictures we raise marvelous children, and journey through life’s adventures with our best friends. ‘When we are not so busy’ or ‘when the children are grown’ we’ll have time to sort out all the nagging relationship issues. Unless the sand in the hourglass runs out before we get that chance.

 

In “Pictures of You,” two women’s lives intersect in a tragic auto accident. April dies when Isabelle swerves into her on an unfamiliar road in the fog. Isabelle, a photographer, is haunted by what she has done, even though she is cleared of any wrongdoing. She can’t forgive herself, so she doesn’t really blame anyone else in the community for ostracizing her; even welcomes being left alone. The fact of her husband’s infidelity has taken a back seat to her guilt.

 

The little boy, Sam, who survived the accident, has lost his mother and a grieving husband, Charlie, doesn’t understand why his wife, April, would have been on that road with their son at that time of day. Secrets are revealed about April that astound her husband. He no longer knows the woman with whom he shared his life. Charlie is helpless to comfort his son, ineffective in dealing with so many ‘after death’ issues. How many of us would be any better at it?

 

What follows is the tragic tale of three people aching for love; raw emotions and devastating truths revealed as they find a way to heal. No plot spoiler here, but photography plays an important role in the storyline.

 

Sam is so well written, with always age appropriate vocabulary, that the reader completely understands when he feels responsible for his mother’s death. Sam mistakes Isabelle for an angel and with his nine-year-old logic, mixes reality with his desperate wish to see his mother again. Leavitt creates a world in which the reader wants to hold this little boy, take away his heartache.

 

In an effective subplot, Isabelle suffers from Post Traumatic Stress Disorder, which Leavitt depicts with insightful clarity. Isabelle shakes uncontrollably, sweats and feels nauseous when she sets foot in a car after the accident and for months afterward, must walk or ride a bike to go anywhere. Having been in a terrible car accident myself many years ago, I sympathized with the realistically intense stress the woman was going through, cringed at the nightmares she experienced. Leavitt herself, has an acute fear of being in cars, so brings considerable, painful  authenticity to the reading experience.

 

We tend to dismiss the importance of the small choices we make in life – not kissing a loved one goodbye or taking the time to listen when we’re running behind schedule – until it’s too late to get a do-over. We look back after a disaster and think: if only I had been a better dad, a better son, a better wife. If only I had stayed, or been there, or did what she/he asked. Everything would have been different. If only.

 

Beautifully written, exquisitely shared.

 

Caroline Leavitt’s latest novel, “With or Without You,” was published in August, 2020.

For more information about Ms. Leavitt and her books, visit www.carolineleavitt.com

 

 

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2020 Killer Nashville Silver Falchion Awards

From the Killer Nashville site: “We believe all engaging stories have three elements: mystery, thriller, and suspense. Since 2008, the Killer Nashville Silver Falchion Awards have recognized the best stories from the previous year told through various media utilizing the elements of mystery, thriller, and/or suspense. Judges are professional writers, book reviewers, librarians, academics, and—in specialized cases—specific industry peers. Focus is on quality, not popularity.”

 

Due to the Covid19 Pandemic, the conference was cancelled for this year, but voting was conducted with the registered expected attendees. The winners were announced on August 22 and are indicated in red.

 

Best Mystery
Connie Berry A Dream of Death

Carl & Jane Bock The White Heron
Iris Chacon The Mammoth Murders
Richard Conrath Blood Moon Rising
John DeDakis Fake
Jeanine Englert Lovely Digits
Henry Hack The Marsh Mallows
Karen McCarthy Murder at the Candlelight Vigil
Jane Suen Murder Creek
June Trop The Deadliest Thief

 

Best Thriller
Brian Andrews & Jeffrey Wilson Red Specter

Simeon Courtie All Hollow
Shirley B. Garrett Deadly Obsession
James R. Hannibal The Gryphon Heist
Sue Hinkin Low Country Blood
Thomas Kelso Hyperion’s Fracture
Leslie McCauley Rise
Caroline Mitchell The Secret Child
Dana Perry The Silent Victim
Dana J. Summers Downhill Fast

 

Best Suspense
Kathryn J. Bain Fade to the Edge

R.G. Belsky Below the Fold
K.P. Gresham Murder on the Third Try
Bradley Harper Queen’s Gambit
J.E. Irvin The Strange Disappearance of Rose Stone
Kathryn Lane Revenge in Barcelona
Dianne McCartney The Daughter of Death
Kelly Oliver VIPER, A Jessica James Mystery
Dana J. Summers Downhill Fast
Claudia Turner The Scions of Atlantis

 

Best Action or Adventure
Paul A. Barra Westfarrow Island

Toni Bird Jones The Measure of Ella
Jenna Kernan Dangerous Conditions
Jim Nesbitt The Best Lousy Choice
Tj Turner Angel in the Fog

 

Best Cozy
Debra H. Goldstein Two Bites Too Many

Gemma Halliday A Sip Before Dying
Linda Lovely Bad Pick
Susan McCormick The Fog Ladies
Bonita McCoy Twisted Plots

 

Best Procedural or P.I.
Carmen Amato Russian Mojito

Mark Bergin Apprehension
Peter W.J. Hayes The Things That Are Different
Richard Helms Paid in Spades
Jean Rabe The Dead of Summer

 

Best Juvenile or Y.A.
Susan K. Flach Daughter Undisclosed

Liana Gardner Speak No Evil
James R. Hannibal The Clockwork Dragon
Kelly Oliver Kassy O’Roarke, Cub Reporter
Lori Roberts This Dark and Bloody Ground

 

Best Science Fiction, Fantasy, or Horror
Tosca Lee The Line Between

Tosca Lee A Single Light
Valerie Nieman To the Bones
Palmer Pickering Moon Deeds
Maggie Toussaint Dreamed It

 

Book of the Year
Bradley Harper Queen’s Gambit

Congratulations to all the finalists and winners!

 

2020 Killer Nashville Silver Falchion Awards Read More »

“Writers Crushing Covid-19: An Anthology for Coronavirus Relief”

On occasion, a special project is brought to my attention that moves right to the top of the review pile. I am delighted to help bring “Writers Crushing Covid-19” to a wider audience. It is an anthology of short stories, essays, and letters, many written by people experiencing this dreaded disease up close and personal. Although the concept of this anthology originated with the Piedmont Authors Network*, the thirty-seven selected submissions came in from authors all over the USA (as well as Australia), as varied in background as the stories themselves. It’s a multi-talented group of bestselling, award-winning, and debut authors.

 

The diverse mix of writing includes everything from laugh-out-loud humor, to the occult, to deeply serious looks at the pandemic, and everything in between.

 

More than one story follows the classic model of O. Henry, the famous short story writer, with entertaining surprise endings. Ross Cavins produces two big twists in “Test Drive,” a clever plot that would translate nicely to a teleplay for a potential TV show. Lynn Chandler Willis introduces us to hapless bank robbers in the hilarious “The Cough,” with the guys not asking for much, but, just once?  Jonas Saul brings us “Ghostwriter,” a more serious take on the surprises that life can deliver. J.D. Allen provides a noire piece with “Dead in the Water.” This dark short just might make you cheer at the ending. Or sleep with one eye open.

 

There are several heart-wrenching entries, but among that group, none wallow in the disaster that has befallen the world. Instead, they are uplifting and reassuring. The anthology begins as Dr. J.L. Delozier presents an inspirational letter to two of her medical students about to face the Covid-19 front lines. Karen McCullough shares her ordeal as a Covid victim in “Journey Through Covid-19.” She took many weeks to recover, and her story will bring a few eye-opening facts to the fore. Micki Bare takes a sobering fictional look at the effect a catastrophe has on displaced children, and the tremendous effort needed to save the most vulnerable in “For Philly.”

 

Feel-good stories, with great hope for the future and people making the best of a bad time, are sprinkled throughout the anthology. Diane Kelly’s “Nothing Could Be Finer” introduces two appealing masked characters that connect over coffee at the surviving local diner. Bruce Robert Coffin tells the tender tale of “Saint Nicholas” and the cop that helped the little old lady in the nursing home. Marvin Wolf relates the wonderful account of a newspaper boy in “The Bicycle.” Think Hallmark Channel smiles all around.

 

As for the occult? Jaden Terrell deals deliciously in the paranormal with “Faithful.” Who among us hasn’t heard a voice caution us to be careful at the right moment? But, then there are the potions. It’s not easy to find ‘eye of newt.’ Cheryl Bradshaw buys a haunted house against the realtor’s advice in “Hallowed Ground,” and all is definitely not what she expected. Karen Fritz creates an ingenious VooDoo curse that propels a journalist to his appointed destination, in “A Cursed Story.”  

 

Dark humor? Who can forget the toilet paper shortage when the USA started to take Covid-19 seriously? Vincent Zandri handles that topic with guns and suspicious foreign characters chasing after P.I. Dick Moonlight in “Moonlight Goes Viral.” Some of you might be able to relate. I’m not admitting to anything.

 

I’ve read this well edited anthology twice and will read it again, it’s that good. I’ve mentioned several of my favorites, but there truly is something rewarding/entertaining for everybody. Buy “Writers Crushing Covid-19” because you enjoy the short story genre, or buy it to support the cause, or both.

All proceeds will go to the Book Industry Charitable Foundation.

 

*Full disclosure: I am a member of the Piedmont Authors Network. Future in-person meetings will be held in Asheboro, North Carolina, but at the present, virtually.

 

 

“Writers Crushing Covid-19: An Anthology for Coronavirus Relief” Read More »

Author Profile: Jessica Ellicott/Jessica Estavao

Jessica Estavao has always known that she wanted to be a writer. Lucky for us, she is now a talented, award-winning, bestselling author from New England with more than one alter-ego working at her computer.

As Jessie Crockett, she wrote the Sugar Grove Mysteries and “Live Free or Die,” a Daphne du Maurier winner.


As Jessica Estavao, she penned the Agatha nominated Change of Fortune Mysteries.


As Jessica Ellicott, she works on her current series, the Beryl and Edwina Mysteries which has received starred reviews from Publishers Weekly and Library Journal.

Meet the writer that composed all those wonderful pages, sometimes while listening to sounds of the ocean. She outlines all her books, always works in a comfortable space with a flask of coffee at the ready, and likes to begin new projects with special notebooks, colorfully filled fountain pens, wet erase markers, and a glass ‘scrawl wall’ to plan the story.

NBR: You’ve written several series, each with different time periods, and now the Beryl & Edwina books set in England. How do you choose the time period and the setting? How much time do you spend on the research before starting to write the book? Where do you get all those terrific details in the Beryl & Edwina books and are you continuing the research as the series evolves?

JE: I love historical novels in general and mysteries in particular, so it is a real pleasure to write about different time periods. I choose those that interest me for whatever reason feels intriguing at the time.

 

Some stories grow out of a particular time period like the Change of Fortune series set at the end of the Gilded Age. Since it involved Spiritualists and also the burgeoning tourist industry in Old Orchard Beach, Maine, that was the right time to set it as those things were at the fore then and there. For the Beryl and Edwina books I wanted to look at a lasting friendship between women during extraordinary times. The period between the world wars in the United Kingdom provided a good way to look at that very notion.

 

I love the research phase of any book and I enjoy doing quite a bit of it for each novel I write. The Beryl and Edwina books have been especially fun for this. It is such fun to look into the particular aspects of each mystery like the world of pigeon racing, the role of the Women’s Land Army, or the way the census was taken in 1921.

 

I look to resources like the Imperial War Museum, the National Archive, watch documentaries, and read newspapers and magazines of the day to provide details of life during that time and in that place. 

 

NBR: Some of the initial scenes in Edwina’s kitchen in “Murder in an English Village” revolve around the meager food supplies. That changes as the book develops and Beryl’s contributions improve the situation. Was this approach a result of the post-war research?

JE: I did make decisions about the available food for my sleuths based on research into the economic climate of the time. The U.K. hit a severe economic slump before the States did and for women like Edwina, things were especially difficult. It was a pleasure to give her some respite with Beryl’s arrival.

 

NBR: Do you like to cook? What are your favorite foods?

JE: I have lots of foods that I like but my two favorites are Thai Spring Rolls and Cheese Fondue. I often like to cook but don’t do it as often now that most of my children are grown as I did in the past. I may end up more like Beryl than Edwina for most of the time once the last one heads to college!

 

NBR: Are Beryl and Edwina based on historical figures?

JE: Beryl and Edwina are not based on historical figures. I adore books that feature actual people from history, but wanted to feel free to do just as I pleased with the pair of them. I decided to create them from imagination and a bit of wishful thinking!

 

NBR: People can truly identify with the women in the books. You’ve given Edwina a lovable small black and white dog, named Crumpet. Do you have pets?

JE: I do have a pet. I have a small white poodle named Sam. He’s almost two years old and he is wonderful company for me. He has a bed in my office and he does a great job of getting me to go out for some exercise a few times each day. His schedule helps me to plan my own and I am really grateful for what he brings into my life. 

 

NBR: Beryl’s car is a character in itself. Are you a fan of fast cars?

JE: I am not necessarily a fan of fast cars but I do love ones with distinctive style! And I am partial to those that are cherry red! Someday, I would love to own a car just like Beryl’s!

NBR: What do you like to do when you’re not hard at work, writing in wintry New Hampshire or on the coast of Maine in the summer?

JE: I have a lot of interests. I love to travel. I love long walks, especially on the beach. I am an avid knitter. I adore throwing parties. I recently began running with some regularity and have also started to learn to paint. 

 

NBR: What fun! You can stay physically fit, develop plot points, and do research, all while participating in activities you enjoy. Many thanks for taking time out to visit with the Nightstand Book Reviews community!

JE: Thanks for inviting me for the interview!

 

She loves to keep in touch with readers through her newsletter and hopes you will sign up at https://www.jessicaellicott.com/newsletteri-wanted-to-check/

 

Please check out Jessie’s Book List found here. Links to more information about all her books is included, as well as links to my reviews of several of the titles. The banner below shows the book cover for the new book in the Beryl & Edwina series.

 

The photos are from Jessie Ellicott’s Facebook page as well as her website.  🙂

 

 

 

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2020 Harper Lee Prize for Legal Fiction

 

The Harper Lee Prize for Legal Fiction was established to commemorate the 50th anniversary of “To Kill A Mockingbird,” written by former Alabama law student, Harper Lee. For the past several years, the University of Alabama School of Law and the ABA Journal have partnered to award the prize to a published work of fiction from the previous year that best demonstrates “the role of lawyers in society and their power to effect change.”

 

Congratulations to the finalists (chosen from a field of 21) for the 2020 Harper Lee Prize for Legal Fiction. The winner is indicated in red.

Sujata Massey: “The Satapur Moonstone”

Victor Methos: “The Hallows”

Chad Zunker: “An Equal Justice”

 

Previous winners:

2011 – John Grisham, “The Confession”

2012 – Michael Connelly, “The Fifth Witness”

2013 – Paul Goldstein, “Havana Requiem”

2014 – John Grisham, “Sycamore Row”

2015 – Deborah Johnson, “The Secret of Magic”  

2016 – Attica Locke, “Pleasantville”

2017 – James Grippando, “Gone Again”

2018 – C.E. Tobisman, “Proof.”

2019 – Sharon Bala, “The Boat People”

 

2020 Harper Lee Prize for Legal Fiction Read More »

CrimeFest 2020

Covid19 has struck down yet another crime fiction convention, this time CrimeFest, held in Bristol, UK, each year. In most cases, eligible titles were submitted by publishers, and a team of British crime fiction reviewers voted to establish the shortlists and the winning titles. The winners were announced on July 6th. The authors and their books are innocent bystanders in this pandemic, and deserve to have your attention and support. Click on the links to take a look at the nominated titles. The winners are indicated in red.

 

CRIMEFEST has a new sponsor and they have instituted a new award for a crime novel by a debut author first published in the British Isles in 2019. The winning author receives a £1,000 prize as well as a Bristol Blue Glass commemorative award.

Specsavers Crime Fiction Debut Award nominees:
– Fiona Erskine for The Chemical Detective
– Katja Ivar for Evil Things
– Carolyn Kirby for The Conviction of Cora Burns
– Alex Michaelides for The Silent Patient
Laura Shepherd-Robinson for Blood & Sugar
– Holly Watt for To The Lions


AUDIBLE SOUNDS OF CRIME AWARD
The Audible Sounds of Crime Award is for the best unabridged crime audiobook first published in the United Kingdom in 2019 in both printed and audio formats.

Audible Sounds of Crime Award nominees:
– Kate Atkinson for Big Sky, read by Jason Isaacs
– Oyinkan Braithwaite for My Sister, the Serial Killer, read by Weruche Opia
– Alex Callister for Winter Dark, read by Ell Potter
Lee Child for Blue Moon, read by Jeff Harding
– Lisa Jewell for The Family Upstairs, read by Tamaryn Payne, Bea Holland & Dominic Thorburn
– T.M. Logan for The Holiday, read by Laura Kirman
– Peter May for The Man with No Face, read by Peter Forbes
– Alex Michaelides for The Silent Patient, read by Louise Brealey & Jack Hawkins


eDUNNIT AWARD
The eDunnit Award is for the best crime fiction ebook first published in both hardcopy and in electronic format in the United Kingdom in 2019.

eDunnit Award nominees:
– Helen FitzGerald for Worst Case Scenario

– Sarah Hilary for Never Be Broken
– Andrew Taylor for The King’s Evil
– L.C. Tyler for The Maltese Herring
– Holly Watt for To The Lions
– Don Winslow for The Border


LAST LAUGH AWARD
The Last Laugh Award is for the best humorous crime novel first published in the United Kingdom in 2019.

Last Laugh Award nominees:
– William Boyle for A Friend is a Gift you Give Yourself
– Hannah Dennison for Tidings of Death at Honeychurch Hall
– Helen FitzGerald for Worst Case Scenario
– Christopher Fowler for Bryant & May – The Lonely Hour
– Antti Tuomainen for Little Siberia
– L.C. Tyler for The Maltese Herring


H.R.F. KEATING AWARD

The H.R.F. Keating Award is for the best biographical or critical book related to crime fiction first published in the United Kingdom in 2019.

H.R.F. Keating Award nominees:
– Ursula Buchan for Beyond The Thirty-Nine Steps

– John Curran for The Hooded Gunman
– Barry Forshaw for Crime Fiction: A Reader’s Guide


BEST CRIME NOVEL FOR CHILDREN
This award is for the best crime novel for children (aged 8-12) first published in the United Kingdom in 2019.

Nominees for the CrimeFest Award for Best Crime Novel for Children (ages 8-12):
– P.G. Bell for The Great Brain Robbery
– Vivian French for The Steam Whistle Theatre Company
– Sophie Green for Potkin and Stubbs
– A.M. Howell for The Garden of Lost Secrets
– Simon Lelic for The Haven
– Thomas Taylor for Malamander


BEST CRIME NOVEL FOR YOUNG ADULTS
This award is for the best crime novel for young adults (aged 12-16) first published in the United Kingdom in 2019.

Nominees for the CrimeFest Award for Best Crime Novel for Young Adults (ages 12-16):
– Kathryn Evans for Beauty Sleep
– John Grisham for Theodore Boone: The Accomplice
– Samuel J. Halpin for The Peculiar Peggs of Riddling Woods
– Simon Mason for Hey Sherlock!
– Tom Pollock for Heartstream
– Nikesh Shukla for The Boxer

Congratulations to all the nominees and winners!

 

CrimeFest 2020 Read More »

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