Thriller

“The Heist” by Daniel Silva

 

Book Cover - The Heist by Daniel Silva

Israeli top spy/art restorer, Gabriel Allon, would rather be working on a major art restoration in Italy, but a blackmailing member of the Italian Art Squad is able to tear him away from his project with a threat. In “The Heist,” a corrupt British spy who had been selling stolen artwork to an anonymous art collector winds up dead and a famous painting has gone missing. Enter Gabriel with his special expertise. In order to get an art dealer friend and associate cleared of suspicion for dealing in stolen goods, Gabriel must agree to do the impossible.

 

A plan is devised to lure the real thief (and murderer) into the open in order to find and recover a masterpiece that has been missing for decades – Caravaggio’s Nativity with St. Francis and St. Lawrence. But, Allon, next in line for the job as the head of Mossad, has friends and enemies in high places and it will be tricky to keep all the parties, himself included, alive and focused on the end game.

 

As we expect in Silva’s riveting series, the stakes in Gabriel’s personal and professional lives are higher than ever. In “The Heist,” Gabriel bends the laws of more than one country, enlists the assistance of men that specialize in assassination and special ops, and adds an additional layer of danger in order to help a survivor of a brutal attack years before in Syria. Returning characters create continuity for the series and keep the pages turning in true Silva fashion.

 

Silvia’s books give the reader a look at the world of politics and spies from an Israeli understanding, but we are always presented with multiple views of each of the conflicts addressed. “The Heist” is no different. This is a serious novel that tackles the Syrian turmoil, the effect of a country at war with itself, and its place within the context of the larger Middle East complexity.

 

As Gabriel is called upon to help his old friend, he is torn between duty to country and the price he has paid for it over the years. The excitement of the caper unfolds on the pages, but there is also a more cerebral feel to “The Heist ” – perhaps a nod to an aging Allon looking back over his life and taking stock. The action is less physical than in the previous book, “The English Girl,” as we are enmeshed in the worlds of art restoration, high finance, bank transfers, and politics, but there is plenty of action nonetheless.

 

“The Heist” is the fourteenth title in the sixteen book (so far) Gabriel Allon series.

 

Please visit www.danielsilvabooks.com for more information about Daniel Silva and his work.

 

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“Cuff Lynx” by Fiona Quinn

 

Book Cover - Cuff Lynx

Lexi Sobado is back in Fiona Quinn’s fourth book in the Lynx series, “Cuff Lynx.” Lexi has mostly recovered from her last mission and on the first day back at the Iniquus office, senses something is not quite right with the headquarters of her top secret world. Iniquus is under attack and she needs to figure out how and why even though she’s not yet 100%.

 

Lexi’s regular role at Iniquus is to ‘puzzle’ the plans and tactics of field missions. She has the unusual skill of ‘knowing’ when something isn’t what it should be. She has a sixth sense, a psychic sense that becomes heightened well beyond the norm in the presence of evil.

 

Her skills are put to the test when she hears that Ops are failing, the founder of Iniquus, General Elliot, is in a coma, clients are losing confidence, valuable art is involved, and to top it off, Striker Rheas, Lexi’s heart’s desire, is teamed up with a gorgeous woman with few scruples. What else could go wrong? In “Cuff Lynx,” quite a lot.

 

Lexi has out-of-body experiences that help her gather Intel about the location of other people without having to leave the office or use a computer, and when she goes ‘behind the Veil’ at great risk to herself, we believe it. Quinn’s descriptions of those psychic missions are absorbing and keep the pages turning. The concept underpinning the use of the ‘Veil’ raises questions about how intelligence is gathered in the real world. If fact-gatherers were able to use this technique, would the Intel be of better quality or be obtained more quickly? Fascinating futuristic talking points.

 

The problems multiply, the evildoers abound and in “Cuff Lynx,” we’re not sure if the good guys (including her lover) are on Lexi’s side. Our heroine is a mix of sweetness, naiveté and single-mindedness unusual for an average person her age and that mix is what makes Lexi Sobado so refreshing as a central character in a thriller. The supporting characters are dedicated Special Ops professionals and Lexi’s softer character makes an intriguing contrast to the hard-core military types.

 

Over the course of the series, she is widowed, stalked by a killer, held in captivity, chased, scarred, loved, and trained in special skills that not even her Iniquus team can know about – all at a break neck pace.

 

“Cuff Lynx” can be read as a stand alone, but it’s much more fun if you read them all to experience the development of Lexi’s character and her relationship with the various members of her team. Quinn told me recently that she plans to feature the other characters in their own books. Cool.

 

Please visit www.fionaquinnbooks.com for information about the rest of Quinn’s work in fiction and non-fiction.

 

 

 

 

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“Signal” by Patrick Lee

 

Book Cover - Signal

Marnie Calvert, FBI agent in Patrick Lee’s “Signal,” smells the bodies before she sees them. A trailer is burned to a crisp, with not much left except a cage holding the corpses of four children. The owner of the trailer is missing.

 

Sam Dryden’s background includes special ops training with the military. He has left that life behind and now flips houses. His ordinary, peaceful evening is interrupted by a call from trusted former colleague in the military, Claire Dunham. She makes an urgent request of Sam: get in the car immediately and meet her in a spot that is two hours away. Once together, they drive to the trailer at breakneck speed and keep the owner from burning it and everyone in it. When Sam and Claire leave the area, the only corpse is the owner’s.

 

Yes, you read that correctly. Calvert, Dryden and Dunham have arrived at the same crime scene – just not at the same time and with very different results. The race against, through, and with time, begins.

 

Patrick Lee’s paradigms of time travel/time shifting are intriguing and part of what compels me to return to his books. Not every book uses time as a plot device, but I love the way Lee’s mind works. In his Travis Chase series, people traveled through a doorway in time to the future and back again. In “Signal,” Lee’s main characters listen to a radio frequency on a device that streams what is reported on the airwaves from the future – a very specific period of time in the future. In this world, time is fluid and actions can be changed before they happen.

 

Imagine if that power was held by people with decades to plan and reshape the future for their own agendas? Nothing good could come of it. Murder, kidnapping, torture? They’ll do anything to get the device that led Claire to the trailer.

 

In “Signal,” Lee deftly handles the time paradox challenges of adjusting actions in response to hearing the consequences. Any modification in events affects everyone in the timeline continuum for all time, and Lee uses that effectively to keep us absorbed. He gives us just enough information about how it all works without too much science-speak or theory that might take us out of the story.

 

Whose reality will control the tale? Can this knowledge ever be used for good? If your “enemy knows your mistakes before you make them,” how can you survive the battle? The answers will keep you turning the pages all night long, because “Signal” is flat out stay-awake reading. And not just because of the time-travel component or the pulse-pounding action. Lee’s characters have depth, a back story, and believable reasons for what they do, be it for good or very questionable motives.

 

Clear your schedule, turn off the computer and the phone (gasp), and be prepared to read straight through to the perfect finish.

 

I was lucky enough to meet Patrick Lee at a recent writer’s conference and he graciously signed my copy of “Signal.” He signed “Ghost Country,” from the Travis Chase series as well and you can read that review here.

 

For information about Patrick Lee, the terrific first Sam Dryden book, “Runner,” and his other series, please visit www.patrickleefiction.com

 

 

 

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“Phantom Instinct” by Meg Gardiner

 

Book Cover - Phantom Instinct - Meg Gardiner

Bartender Harper Flynn’s boyfriend has just returned her back door access card when the gunfire starts in Meg Gardiner’s “Phantom Instinct.” He is killed in the crossfire, a firebomb is tossed against the wall of liquor behind the bar, and the explosion and spreading flames cause a wall to collapse through the floor, taking a cop with it. And that’s all in the first eleven pages.

 

Harper’s job disappears with the bar and the injured Aiden Garrison, the deputy Sheriff on a case at the time of the fire, has been placed on medical leave from his. Each of them remembers three shooters that night and a year later, Harper thinks one of them is after her. Two of the shooters are dead, and nobody believes Harper and Aiden that the third ever existed. The case is closed. Or is it?

 

Aiden suffered a traumatic brain injury in the fall – serious enough to cause faulty facial recognition (Fregoli Syndrome). His people identification skills sometimes short-circuit so that he sees vicious criminals instead of the friends really standing there. That fact makes him dangerous and completely unreliable as a partner. And he is Harper’s only ally. They must work together to solve the puzzle of what really happened the night of the fire, in order to save their own lives.

 

The “Phantom Instinct” plot is edgy and complex, the players ruthless and fully developed, and it’s hard not to cringe when old ‘buddies’ reappear and work their special brand of evil. The connections to both Aiden’s and Harper’s pasts will make you wish you could read faster.

 

If you’re looking for a sweet, cuddly book…this is most assuredly not it.


“When it started, Harper Flynn had a fifth of vodka in her hand, six shot glasses lined up on the bar in front of her, and a stinging cut on her arm from a broken beer bottle.”

 

With that opening line, Meg Gardiner’s “Phantom Instinct” begins a pulse-pounding, page-turning thriller that will keep you riveted until you finish that last, gut-wrenching scene. And then you’ll yearn for more.

 

Meg Gardiner, an Edgar Award winning, bestselling novelist, writes books with strong, smart women in the lead. The plots are mind-bending, the action non-stop, and I can’t wait to get the next book.  🙂

 

Read the review of “The Memory Collector” here.

Read the review of “Ransom River” here.

 

Please visit www.meggardiner.com for information about all of Ms. Gardiner’s books. You'll be glad you did.

 

 

 

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Choosing A Book by Its Cover

 

Book Cover - Rain FallBook Cover - A Clean Kill In Tokyo

 

 

 

 

 

 

 

 

I buy over 100 books a year from brick and mortar stores, and am given loads of free books at the conferences I attend, so I have piles of novels and a few weighty works of non-fiction sitting around the house. (This was the reason for the free drawings we held for subscribers at NBR)

Soooo…what draws me to pick up a particular title at the bookstore if I’m not already familiar with the author? On any given day, I preselect the genre by wandering into category areas of the brick and mortar store, whether indie or big box store. Then, I am drawn to:

 

1) The color of the spine and cover

2) The artwork and text on the cover

3) The blurb on the back cover

 

Color

Notice that #1 is not about the author or the concept of the book. The initial interaction is not about the cover text. If you don’t pick the book up, you’ll never read that part anyway. Marketing people discovered years ago that the eye is drawn to bright splashes of color when choosing a product – any product – and that reds and yellows are seen first, then blues and greens. The rest of the artwork on the covers is set off by that color. Think of it as the backdrop for showcasing the information being delivered by the artwork and the text.

 

The art on the covers

Authors and publishers alike stay up nights, hoping and praying that the colors, the design, the font, the size of every tiny piece of graphic on the cover – all go together in a way that will entice you to pick up the book. Is there a person in the artwork? How about guns? Or beaches? Or cats? Is the setting implied somehow? Is the artwork dynamic, garish, or calming? Is the artwork representative of the actual content inside the book?

 

The Blurb

The publisher’s blurb on the back cover of today’s novels reveals something about the lead character and contains just enough about the plot to make us want to know more. If the book seems a little different, inspirational or more exciting than the norm, we feel compelled to plunk down money and take that book home. If the book is even better than the blurb promised? We tell our friends.

 

The following books exceeded the promise of the back cover. My thoughts are in bold type.

 

“John Rain kills people. For a living. His specialty: making it seem like death by natural causes. But he won’t take out just anyone. The job must be an exclusive. The target must be a principal player. And he’ll never murder a woman.” – Rain Fall by Barry Eisler.

This was the debut novel for the bestselling author. Excellent hit-man thriller that was made into a movie in 2011. Eisler drew from his own time as a lawyer in Tokyo for the exotic backdrop. The Rain series continues to be successful.

 

“Former army homicide investigator Paul Brenner has just gotten used to the early retirement forced on him after the disastrous end of his last case when his old commanding officer asks him to return for one final mission: investigate a murder that took place in wartime Vietnam thirty years before. Brenner reluctantly accepts out of curiosity and loyalty…and maybe a touch of boredom. He won’t be bored for long.”

Up Country by Nelson DeMille. The book delivers far more than a chilling murder investigation. It is based on DeMille’s own experiences in Vietnam and takes a look at war and its aftermath. Haunting. Reviewed here on NBR.

 

“First a dead stranger. Now a missing police chief. Did Cade run off to elope…or has he met with foul play?” – Southern Storm by Terri Blackstock Nobody in her right mind would think that Cade had eloped. The blurb seems purposely misleading. Thank goodness for Blackstock fans that the book was better than the blurb.

 

“Times are a-changin’ in Pickax, giving Jim Qwilleran some newsworthy notes for the Qwill Pen. A new senior center is in the works as well as a frisky production of ‘Cats.’ And a local mansion…” The Cat Who Had Sixty Whiskers” by Lilian Jackson Braun.

This was the 29th book in the gentle ‘Cat Who…’ series. Fans buy the books no matter what’s on the cover. Mom bought every one.  The series is reviewed here on NBR.

 

Now for the two covers for Rain Fall. The original cover is the red one. It popped into my view at a conference, piled next to stacks of books by other authors. The more recent cover is the blue one on the right (same book, different title) designed after Eisler regained the rights to his books and changed titles and covers. If you don’t already know who Barry Eisler is, which one would cause you to buy the book?

 

Do you choose a book based on the blurb? Is it the art on the cover itself that helps you decide? Think about that the next time you visit the bookstore.

 

*note: I buy lots of ebooks as well, but that’s for another post.

 

 

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“My Sister’s Grave” by Robert Dugoni

 

Book Cover - My Sisters Grave

 

In “My Sister’s Grave,” Tracy Crosswhite, a Seattle homicide detective, is still investigating her sister’s murder twenty years after the fact. A paroled rapist was convicted at the time and is sitting in jail for the crime, but Tracy believes the wrong guy was put away.

 

Her 18 year old sister, Sarah, disappeared the evening following their championship shooting competition, and though a thorough search was conducted, her body was never found.  Deep down, Tracy wanted to believe there was a chance that Sarah might still have been alive. But, if not, who killed Sarah? And why? Tracy’s obsession with solving the case has even driven away her sympathetic, once supportive husband.

 

When Sarah’s body is discovered in a now dry lakebed, Tracy returns to Cedar Grove and wants the case reopened. She faces resistance from unexpected directions as people urge her to let it go, saying that the town has suffered along with the Crosswhite family and wants to move on. What had been a place of unlocked doors has become a place of anger and sadness, without trust. The more Tracy pushes for answers, the more she suspects a cover-up has been buried along with her sister for all that time, the more her own life is in danger.

 

“My Sister’s Grave” is an absorbing look at the actions of a loved one left behind, consumed with guilt that she was responsible for her sister’s death. Who could move on from that in real life? We know that Tracy should not be shouldering that guilt, but we are drawn into the story and want to find the truth as well.

 

As always, Robert Dugoni writes fully fleshed out characters, people we can root for as well as people we can despise. Dan, a childhood friend, now a lawyer living in Cedar Grove, works nicely as Tracy’s sounding board and support system when she needs it. Their personal relationship develops naturally and provides balance to the intensity of the fast-paced, mature-themed storylines and jaw-dropping plot twists.

 

How does Robert Dugoni write the women in his books so beautifully? Get inside their heads in such a believable way? I learned this summer that the man has four sisters. ‘Nuf said. 

 

He also has a knack for creating memorable settings for the climactic scenes in his books. Not to give anything away, but I couldn’t turn the pages fast enough during the snowstorm section.

 

Dugoni revealed that the idea for "My Sister's Grave" came from an actual water diversion that caused water to recede and then expose previously covered land. His mystery-focused mind went in the direction of murder and an unsolved crime.

 

This is not an addition to Dugoni’s bestselling David Sloane series, but not to worry. Crosswhite is a character from “Murder One” and Dugoni has done a terrific job of building on that persona and giving her the strong voice she deserves in order to be the lead in “My Sister’s Grave.” If you’d like to read a bit of background on the Tracy Crosswhite character and what makes her tick, Dugoni published a novella a few months ago, titled “The Academy,” that works nicely as an intro to this book.

 

With so many missing persons on record in the www.NamUs.gov database, what is fiction for “My Sister’s Grave” may be tragic truth for some grieving family out there. What drives Tracy to keep digging would be natural for most families. It’s about closure. We want a wandering family member to be okay. If we suspect that a crime has been committed, we want justice for the victim. We want to help victims of amnesia, restore them to a loving home. Our humanity wants help for the lost, and if we felt that we had anything to do with the disappearance, we would feel guilt and maybe even an obsessive need to discover the facts. I’d like to think that if I had been trapped or lost, that a ‘Tracy’ in my life would not have stopped looking.

 

Dugoni mentioned on Facebook that he is working on the sequel. Can’t wait! (It is now 15 months later, and happily for us, he has written more books in the series)  🙂

 

Read my review of “Wrongful Death” here.

Read my review of “The Conviction” here.

 

Please visit www.robertdugoni.com for more information about his work, his book signings, and the writing classes he conducts.

 

 

 

 

 

 

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“The Conviction” by Robert Dugoni

 

Book Cover - CONVICTION

 

Top Seattle attorney, David Sloane, may be at home in the courtroom and able to outsmart his opponents, but he is out of his element when dealing with his troubled stepson.

 

Sloane’s wife has died and he has relinquished custody of his stepson to Jake’s biological father who lives in California, a move that has confused and angered Jake. “The Conviction” opens with Jake’s future at stake after he has been arrested for public intoxication (for the second time) and property damage. The judge decides to give him one last chance to straighten himself out in rehab or else go to jail. She assigns responsibility for Jake’s attendance to Sloane and they head back to Seattle.

 

Rather than re-bonding with his stepfather, Jake remains sullen and resentful. He’s back in the house where he witnessed his mother being murdered and can’t get past his grief and rage. When Jake and David are invited to go on a camping trip with an old friend and detective, Tom Molia, and his son, T.J., it looks as if a week in the woods might be a great way to reconnect with this young stranger that David no longer understands.

 

But instead, Jake tries to buy beer and cigarettes with fake ID on the first day of the trip, and drags T.J. along with him. The storeowner confiscates the ID, but the boys return later and break in, taking liquor and a rifle along with the recovered ID. Of course, they get caught by the police soon after, but not before they get drunk and shoot up the woods close to town. Sounds like a mess, with T.J. a reluctant participant, driven by his need to be accepted.

 

The boys are tried, convicted and sentenced to time in a local juvenile detention center (Fresh Start) before their fathers even know they’re missing from their room. That’s only the beginning of the nightmare that ensues.

 

The fathers attempt to get Jake and T.J. retried and released, or at least moved to a facility closer to home, but are stymied by the cops and judge in this small California town that seem to skirt constitutional rights. Sloane and Molia suspect corruption, but with what motive, what payoff?

 

Dugoni delivers an alarming story of a juvenile legal system gone horribly wrong, with teenaged inmates working as virtual slaves in boot camps, rather than receiving the rehab and guidance advertised in the fancy brochures. He takes a look at teens who make poor choices despite the help available, and the serious consequences awaiting them. Dugoni never implies that Jake and T.J. should not be punished for their actions, merely that they be counseled on their rights and then sentenced appropriately.

 

At Fresh Start, Jake grows up quickly when he discovers that something more is going on at the camp beyond their re-education, and that knowledge could get him and T.J. killed before David can get them out. The parallel plotline of the fathers trying to free the boys, while working against the clock and being threatened themselves, is gripping.

 

“The Conviction” moves from legal suspense to thriller mode in this pulse-pounding, page-turning, sleep-robbing tale. I had several ‘gasp’ moments as Dugoni built tension and advanced the dramatic story.

 

There are no false notes. Jake’s ability to deal with whatever is thrown at him physically, is set up early on and the action involving the supporting characters is completely believable, given their backgrounds. Those supporting characters, whether adults who oppose (or side with) Sloane and Molia, or teens who battle (or help) Jake and T.J., are so clearly drawn that I kept casting them in a movie in my mind’s eye.

 

This is the fifth book in the David Sloane series and in my opinion, the best so far.

 

Read the review of "Wrongful Death" here. Go to www.robertdugoni.com for information about all of his projects and where you can catch his next terrific writing class.

 

 

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