Marnie Calvert, FBI agent in Patrick Lee’s “Signal,” smells the bodies before she sees them. A trailer is burned to a crisp, with not much left except a cage holding the corpses of four children. The owner of the trailer is missing.
Sam Dryden’s background includes special ops training with the military. He has left that life behind and now flips houses. His ordinary, peaceful evening is interrupted by a call from trusted former colleague in the military, Claire Dunham. She makes an urgent request of Sam: get in the car immediately and meet her in a spot that is two hours away. Once together, they drive to the trailer at breakneck speed and keep the owner from burning it and everyone in it. When Sam and Claire leave the area, the only corpse is the owner’s.
Yes, you read that correctly. Calvert, Dryden and Dunham have arrived at the same crime scene – just not at the same time and with very different results. The race against, through, and with time, begins.
Patrick Lee’s paradigms of time travel/time shifting are intriguing and part of what compels me to return to his books. Not every book uses time as a plot device, but I love the way Lee’s mind works. In his Travis Chase series, people traveled through a doorway in time to the future and back again. In “Signal,” Lee’s main characters listen to a radio frequency on a device that streams what is reported on the airwaves from the future – a very specific period of time in the future. In this world, time is fluid and actions can be changed before they happen.
Imagine if that power was held by people with decades to plan and reshape the future for their own agendas? Nothing good could come of it. Murder, kidnapping, torture? They’ll do anything to get the device that led Claire to the trailer.
In “Signal,” Lee deftly handles the time paradox challenges of adjusting actions in response to hearing the consequences. Any modification in events affects everyone in the timeline continuum for all time, and Lee uses that effectively to keep us absorbed. He gives us just enough information about how it all works without too much science-speak or theory that might take us out of the story.
Whose reality will control the tale? Can this knowledge ever be used for good? If your “enemy knows your mistakes before you make them,” how can you survive the battle? The answers will keep you turning the pages all night long, because “Signal” is flat out stay-awake reading. And not just because of the time-travel component or the pulse-pounding action. Lee’s characters have depth, a back story, and believable reasons for what they do, be it for good or very questionable motives.
Clear your schedule, turn off the computer and the phone (gasp), and be prepared to read straight through to the perfect finish.
I was lucky enough to meet Patrick Lee at a recent writer’s conference and he graciously signed my copy of “Signal.” He signed “Ghost Country,” from the Travis Chase series as well and you can read that review here.
For information about Patrick Lee, the terrific first Sam Dryden book, “Runner,” and his other series, please visit www.patrickleefiction.com
