Gabriel Allon is a master art restorer whose finally tranquil life is endangered by politics and demands of former bosses. Once a ruthless Israeli operative at the top of his game, he’d like to be left alone. He’s been shot at, tortured, threatened, held behind enemy lines, his family killed, and yet the ‘powers-that-be’ ask for more in the name of patriotism and helping old friends.

 

This time, a young English woman disappears in Corsica while on vacation. Why is Allon asked to help a foreign government find their missing citizen? She was having an affair with the British prime minister. The P.M. is embroiled in a political crisis at home and she was a rising star in British politics. Any scandal that breaks would be catastrophic. Any ‘handling’ of the situation by English operatives would be looked upon as misuse of MI5 funds. Of course, it would also be wildly inappropriate to use Israeli funds, so the operation would be privately financed.

 

Ever cautious, ever suspicious, Allon investigates the English girl’s disappearance and the subsequent ransom (meet the demands in seven days or she dies) before he agrees to take on the case. Allon works with former as well as current enemies to gain access to the people who are in a position to find out what happened and why. The pressing questions: Who were the players? What else was going on?

 

“The English Girl” is more than a spy story with international intrigue in the background. It is an absorbing character study of a man driven by patriotism once upon a time, but now haunted by his past. His life was ripped apart and the anger at what was taken from him still lingers, along with an inner sadness created by the knowledge that his profession is the source of his pain. The demons at first prod him to turn down the assignment, but then the assignment itself becomes a way to quiet his torment.

 

Silva studies politics on an international scale – the domino effect of decisions made by our country’s leaders, both personally and publicly, that shape global policies. Can the mere fear of public exposure of private matters really topple governments?

 

One of the interesting subplots in “The English Girl” is the interplay between two operatives who must work together out of necessity. During the time Allon and his counterpart, Keller, are together, they spar about the difference between a hired assassin and a Mossad agent – one does it for the paycheck, the other for love of country. Allon feels morally superior even though they both do the same things – interrogate, kill, rescue, scheme, save/steal secrets. But in this interplay, along with Allon’s relationships with those in his inner circle, a spy is shown to be multi-dimensional, not just an assassin, but having a home, a wife, and educated interests.

 

Silva has a compelling writing style, employing dialogue that works brilliantly. Several times the main characters made remarks that were repeated soon after for mild comic relief or for dramatic emphasis. He has captured the natural flow of interaction to such a degree that I always felt a part of the story, never sidelined or merely watching the action unfold.

 

“The English Girl” is a gripping page-turner, with plenty of twists and turns to satisfy. How will this operation affect Allon as aspects of the operation remind him of his dead wife and child? How will this operation change his future?  What deals does he have to make along the way?

 

Silva’s thirteenth novel in the Gabriel Allon series debuted at #1 on the New York Times bestseller list. The next one, “The Heist,” was released in the summer of 2014.

 

Please visit www.danielsilvabooks.com for more information about Silva and his books.