June 2013

“American Assassin” by Vince Flynn

 

Book Cover - American Assassin

 

Vince Flynn’s “American Assassin,” Mitch Rapp, is not a suave, smooth-talking spy. He is a twenty-three year old, non-skirt-chaser, non-political, All-American lacrosse player who has never been in the military.

 

Ian Fleming and Hollywood gave us James Bond and glamorized the life of a spy, interweaving assassinations with hot cars, cool guns, and fast women. However, the tuxedo wearing, Baccarat playing, former Navy Commander rarely had a hair out of place, even when being tortured. Bond had the full force of the British Secret Service behind him, including military backup and impossibly cool gadgets with which to work whenever he got into a jam. 007 was the embodiment of MI6 and was staunchly patriotic. Those characteristics appeared to be the standard by which all other spies in books, on TV, and in the movies were measured.

 

So how does Mitch Rapp qualify to become an assassin? How is he turned into an efficient human killing machine? What motivates him to do the job?

 

He is recruited. An assistant to the CIA Director of Operations sees something in Rapp that could change the direction of a CIA in disarray after many intelligence failures. The CIA needs to take the fight to the enemy instead of merely reacting to events, and Rapp may be just the one to do it.

 

Mitch Rapp, at the beginning of his career in “American Assassin,” will not have the official backing of the CIA, and in an almost “Mission Impossible” style interview, is told that his very existence will be denied if he is caught doing his job overseas. He has guns, his mental agility, his physical skills, and a passport – not much else. Oh, and a training officer that doesn’t like him, calls him a ‘college puke’ and doubts that he is truly qualified to carry out any assignments. Sound like something you’d sign up for?

 

Flynn writes Rapp so convincingly that we buy it all. Why? Rapp agrees to take the job because of revenge, pure and simple. His girlfriend was killed in the Pan Am Lockerbie disaster and he wants to see the perpetrators dead. His ability is proven again and again as he puts up with what he considers the sham of his training, verbally challenging his so-called mentors and questioning his own motivation in the process.

 

After his first operation, Rapp looks in the mirror and realizes a killer is looking back at him. And, he’s okay with it.

 

Flynn explores the post-Lockerbie world and places it in historical context, so that the reader can recognize the global players in the intelligence community. The bad guys are varying shades of nasty, and the good guys/gals are complex, layered characters.

 

“American Assassin,” an intense page-turner that Flynn waited fifteen years to write, is a strongly political anti-terrorism thriller. In the book, an American businessman is kidnapped in Beirut, an operative goes in after him, then is captured as well. There are references to torture, to rendition, and to the Middle Eastern conflict.

 

Mitch Rapp is a character originated in “Transfer of Power,” published in 1999, the first of the thirteen Rapp books. “American Assassin” tells us how it all began for Rapp and is now listed as the first in the series.

 

Sadly, Vince Flynn passed away in 2013 at the age of 47 after a bout with cancer. His family, friends, and fans sorely miss him.

 

For more information about Vince Flynn, his body of work, and his charities, please visit www.vinceflynn.com

 

 

 

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“Murder Inside the Beltway” by Margaret Truman

 

Book Cover - Murder Inside the Beltway

 

Walt Hatcher is a bigoted veteran detective who constantly insults his co-workers. He lies to his wife, leans on witnesses and shouts so-called apologies. Hatch is a misfit in a modern police department and is in dire need of a crash course in sensitivity, but he gets the job done.

 

He is assigned to investigate the murder of a DC call girl, and during the crime scene search, one of his team discovers a video camera hidden in a bookcase. The client list discovered on the tapes becomes the focus of the inquiries, made all the more intriguing because a bloody presidential campaign is underway.

 

When the daughter of a campaign strategist is kidnapped before the murder case is solved, political machinations move into high gear. It’s hard to tell who wins the prize for ‘slimebag of the year’ after a connection is made between the kidnapping and the murder.

 

Other characters predominate the second half of the book, but Hatcher’s actions play heavily in the outcome of both cases. Readers anticipating Truman’s famous surprise endings will not be disappointed.

 

Throughout the ‘Capital Crimes’ series, Truman brought her main characters to life by sharing the thoughts of each one. Realistic dialogue that followed the internal processing made her books flow effortlessly, as if we were in the rooms living the scenes. We cheered for the nice guys, however lightly flawed, and hissed at the bad guys as they were quite cleverly dispatched. The novels became grittier with time, but never reached ‘Adults Only’ status.

 

When Margaret Truman was a junior in college, her father, Harry, became the President of the U.S. Years later, she began writing the Capital Crimes series, all set in DC. Truman had a love-hate relationship with her experiences at the White House, but she captivated readers with the details of the Washington that she knew so well. The Adams-Morgan residential section of the city and the Mall (a tourist favorite, with museums surrounding a park setting) are featured in “Murder Inside the Beltway,” the 24th and final title of the bestselling series.

 

Memorable titles in the series include:

 

“Murder at the National Gallery” – M. Scott Pims is a scheming art curator with a masterful plan involving the Gallery.

 

“Murder at the National Cathedral” – Mac and Annabel Smith are a husband and wife team sleuthing among the stained glass and pillars of the National Cathedral.

 

“Murder at the Smithsonian” – a showdown with a surprise murderer occurs in The Museum of American History.

 

Margaret Truman passed away in 2008, but her legacy lives on in her work. Having visited and enjoyed Washington, D.C. dozens of times myself, it was great fun to be able to revisit the famous places she mentioned and imagine the mayhem among the corridors and columns of our nation’s capital.

 

 

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“Up Country” by Nelson DeMille

 

Book Cover - Up Country

In these days between the U.S. celebrations of Memorial Day and July 4th, it seemed appropriate to review “Up Country,” a detective/thriller that places war firmly at its center. DeMille considers the U.S. involvement in Viet Nam and the sacrifices made by all concerned. War never seems quite real unless someone close to us is affected, but lest we forget, the body bags are always bringing home someone’s brother or father or sister or mother.

 

Paul Brenner is close to retiring from military service, but must return to Viet Nam one last time to solve a crime committed during the war almost thirty years before. Was an American soldier killed in Viet Nam back then, actually murdered?

 

In Brenner’s search for the answers to what seems to be a colossal cover up in “Up Country,” we travel through Viet Nam, feel the anguish of a country still reeling from the destruction of the war, meet descendants of the original soldiers who had nothing to do with the regimes of the time, but are still suffering. And, the very men who lost the war now rule it.

 

Brennan interacts with ex-pat Susan Weber to supposedly smooth his in-country travel arrangements, and at times (even during their on-the-road affair) we wonder whether she is a friend to Brennan or an agent of the enemy. Corruption and betrayal at every turn, a harrowing unauthorized trip into North Viet Nam, many tense dealings with a suspicious North Vietnamese Colonel, political as well as military agendas, seeing Viet Nam as a country, not as a war – all blends together in a sobering clash of values and hindsight.

 

DeMille’s ‘Alpha Male’ lead characters are always fully developed, with strong language and active inner dialogue. In “Up Country,” we experience Brennan’s thought process as he assesses his limited options for solving the crime. We are persuaded that he should continue his dangerous mission even as he observes the behavior of the former/present enemy that still lives in the past and can’t let go of the hatred of the U.S.

 

“Up Country,” published in 2002, was based on DeMille’s own experiences upon his return to Viet Nam in 1997, almost three decades after his own military service. DeMille is a master storyteller, as his legions of fans will agree, but in this book, he brings a great deal of himself to the page and in doing that, creates a completely absorbing, gritty tale. One wonders how much is in reality, fiction. DeMille’s other books are great reads, but “Up Country” just may be his best.

 

Visit www.nelsondemille.com for more information about the popular John Corey series and the many other bestselling DeMille thrillers.

 

 

 

 

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“The Cold Dish” by Craig Johnson

 

Book Cover - Cold Dish

When a novel begins with, “Bob Barnes says they got a dead body out on BLM (Bureau of Land Management) land,” you’d be sure that murder was afoot. But in "The Cold Dish," Walt Longmire, Sheriff of Absaroka County, thinks the drunken hunters merely saw a dead sheep. The Sheriff is told to bring beer when he goes out to investigate. So, he does what any seasoned Sheriff would do – he manipulates his bored, testy, always swearing, deputy Vic (short for Victoria) to head out to the sheep in question, heads home early and keeps the six-pack.

 

But, his thoughts as he sits in his ‘under construction’ house, are never far from the job, even as he polishes off the Rainier by himself. He doesn’t need a file in front of him to remember the details of one horrific event when justice was not served. The racially charged case that troubles him involves a young Indian girl with Fetal Alcohol Syndrome who had been raped three years before, but her case had only recently come to trial. He muses over injustice in the world, and what he, as the investigating officer on the case, might have done differently. Then Vic reports that the dead body found among the sheep is one of the alleged rapists.

 

Melissa Little Bird’s attackers received a slap on the wrist, but is someone making up for the lapse in the law? When the second of Little Bird’s attackers is killed, Longmire and his lifelong friend, Henry Standing Bear, owner of the local watering hole and Walt’s occasional liaison with the Reservation, must choose whom to protect.

 

What follows is an extremely well written modern Western mystery, with honest dialogue, and complex, realistic characters dealing with serious issues in a harsh world. Friend and foe alike are under suspicion as the cases develop and overlap next to the Northern Cheyenne Reservation, in sight of the breathtaking Bighorn Mountains. A century of distrust among the area residents is not helped by the deaths or the investigations.

 

Johnson has accurately portrayed the hollowness of being a widower, the severity of an unforgiving winter that impedes pursuits, the challenge of forensic analysis without a lab close by, the search for a 125 year old .45-70 Sharpe’s Buffalo rifle, the emptiness of having an estranged daughter, and the issue of an upcoming election for Sheriff. This multi-dimensional background to the central story creates an absorbing introduction to the Longmire series of novels.

 

Homage is paid to Cheyenne culture throughout “The Cold Dish,” but a haunting scene late in the book will stay with me forever. Imagine echoes of braves singing, whispering to Longmire, and playing drums alongside him during a blizzard on a mountainside, as he fights the pull to the Camp of the Dead. One voice among many says, “Sometimes dreams are wiser than waking.”

 

Johnson now lives on a ranch in Wyoming and was a law enforcement officer for a few years, although in a large eastern city. In order to get the feel of a Western County Sheriff’s job right for his books, he shadowed a Sheriff friend of his back in Wyoming.

 

If you have watched “Longmire,” the TV show on A & E, you have met the Sheriff in the persona of Robert Taylor, the Australian actor who has captured the depth and pain of Longmire perfectly. The other actors in the show, most notably Lou Diamond Phillips, Katee Sackhoff, and Bailey Chase, are marvelous in their roles.

 

Please visit www.craigallenjohnson.com to learn more about Craig Johnson and his NYT bestselling, award-winning novels.

 

 

 

 

 

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