January 2014

“The English Girl” by Daniel Silva

 

Book Cover - The English Girl

 

Gabriel Allon is a master art restorer whose finally tranquil life is endangered by politics and demands of former bosses. Once a ruthless Israeli operative at the top of his game, he’d like to be left alone. He’s been shot at, tortured, threatened, held behind enemy lines, his family killed, and yet the ‘powers-that-be’ ask for more in the name of patriotism and helping old friends.

 

This time, a young English woman disappears in Corsica while on vacation. Why is Allon asked to help a foreign government find their missing citizen? She was having an affair with the British prime minister. The P.M. is embroiled in a political crisis at home and she was a rising star in British politics. Any scandal that breaks would be catastrophic. Any ‘handling’ of the situation by English operatives would be looked upon as misuse of MI5 funds. Of course, it would also be wildly inappropriate to use Israeli funds, so the operation would be privately financed.

 

Ever cautious, ever suspicious, Allon investigates the English girl’s disappearance and the subsequent ransom (meet the demands in seven days or she dies) before he agrees to take on the case. Allon works with former as well as current enemies to gain access to the people who are in a position to find out what happened and why. The pressing questions: Who were the players? What else was going on?

 

“The English Girl” is more than a spy story with international intrigue in the background. It is an absorbing character study of a man driven by patriotism once upon a time, but now haunted by his past. His life was ripped apart and the anger at what was taken from him still lingers, along with an inner sadness created by the knowledge that his profession is the source of his pain. The demons at first prod him to turn down the assignment, but then the assignment itself becomes a way to quiet his torment.

 

Silva studies politics on an international scale – the domino effect of decisions made by our country’s leaders, both personally and publicly, that shape global policies. Can the mere fear of public exposure of private matters really topple governments?

 

One of the interesting subplots in “The English Girl” is the interplay between two operatives who must work together out of necessity. During the time Allon and his counterpart, Keller, are together, they spar about the difference between a hired assassin and a Mossad agent – one does it for the paycheck, the other for love of country. Allon feels morally superior even though they both do the same things – interrogate, kill, rescue, scheme, save/steal secrets. But in this interplay, along with Allon’s relationships with those in his inner circle, a spy is shown to be multi-dimensional, not just an assassin, but having a home, a wife, and educated interests.

 

Silva has a compelling writing style, employing dialogue that works brilliantly. Several times the main characters made remarks that were repeated soon after for mild comic relief or for dramatic emphasis. He has captured the natural flow of interaction to such a degree that I always felt a part of the story, never sidelined or merely watching the action unfold.

 

“The English Girl” is a gripping page-turner, with plenty of twists and turns to satisfy. How will this operation affect Allon as aspects of the operation remind him of his dead wife and child? How will this operation change his future?  What deals does he have to make along the way?

 

Silva’s thirteenth novel in the Gabriel Allon series debuted at #1 on the New York Times bestseller list. The next one, “The Heist,” was released in the summer of 2014.

 

Please visit www.danielsilvabooks.com for more information about Silva and his books.

 

 

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“Agincourt” by Bernard Cornwell

 

Book cover - Agincourt copy

Set in the 1400s, “Agincourt” delivers a graphic account of one of the most important battles of the age. Underfunded, overconfident and thoroughly lucky, the English king, Henry V, decides he needs to conquer Agincourt in order to claim the French crown and maintain his dominance of the Normandy coast. He must overcome formidable odds and expensive, incredible losses on hostile foreign soil, and yet he marches on. Any real battle strategy is thrown to the wind as the French forces keep outwitting the English. If you don’t already know the actual story of Agincourt, the book will keep you guessing until the end.

 

The tale is told from an archer’s viewpoint. It’s not a new storytelling technique to have a warrior relate the action, but interesting in this case because the skill of English archers was feared throughout the world. If you had a few hundred archers on your side, you would most likely win the battle. They were the early medieval equivalent of our modern day artillery, yet their quivers only held about twenty arrows at a time. Think about it. Twenty ‘shots’ before having to be resupplied from a packhorse shared by other archers. Survival depended on having quick, deadly aim and well-made arrows that flew true.

 

As always, “Agincourt” is meticulously researched, and Cornwell accomplishes a literary feat few authors can claim – he makes a battle fascinating, while at the same time never letting us forget about the violence. From the description of exhausted men slogging through muddy tracks to the subplots of personal bickering over lands, women and food, war is depicted as grim, hard work accomplished for the glory of the nation and king.

 

Body armor and weapons of the era are discussed in terms of their merits for particular campaigns, and in very human terms – “armored men on foot were less vulnerable to arrows than horses…”

 

I keep coming back to Cornwell for more, wishing that my school history books could have made the events of that century come to life in the way he does. If Cornwell ever gives up the mighty pen for the more prosaic life of an ancient history professor, his classes would be standing room only.

 

For more information about Cornwell and his work, please visit www.bernardcornwell.net

Read the review of Cornwell's "Sword Song" here.

 

 

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“An Appetite for Murder” by Lucy Burdette

 

Book Cover - An Appetite for Murder

Foodies rejoice! Lucy Burdette brings us a new cozy series set in Key West that has a wannabe food critic as the protagonist. The first in the series is “An Appetite for Murder.”

 

Our heroine, Hayley Snow, follows her new-found boyfriend (a divorce attorney) to Key West and moves in with him. She wants to escape living at home in NJ and to prove that she’s a bona fide grownup who can handle life on her own. But, mere weeks after arriving in foodie heaven, Hayley finds the boyfriend in bed with his ex, Kristen Faulkner. Rather than apologize for slipping up, he throws Hayley out – her belongings (except for her favorite cookery and treasured recipes) left on the sidewalk. He tells her that he threw the rest into the dumpster. What a cad!

 

Our gal may not be great at choosing boyfriends, but she has a nose for cooking and wants to be the food critic at the new local magazine, “Key Zest.” Hayley works on her restaurant appraisals and along the way, we experience mouth-watering descriptions of lunches, dinners and yummy snacks. Makes me hungry just thinking about the olive fougasse bread with garlicky cheese spread she ate while finishing an audition review.

 

But, wait! The girl seen in bed with the ex-boyfriend? Just happens to be the co-owner of the new magazine. Hmmm… and (of course) Kristen winds up dead, poisoned by pie, after wiping our gal’s name off the list of final contenders for the job.

 

Who did the deed? The police (as well as the ex-boyfriend) like Hayley for the murder because of the “bedroom incident” and the “lost application.” It doesn’t help her case that she is found snooping in the ex-boyfriend’s apartment after the murder. Suspicious break-ins occur, neighbors are mugged, her friendships are stretched to the max and Hayley needs to find out who the culprit is before she misses out on a gourmand's dream gig and gets thrown in jail for something she would never do – poison someone with food.

 

Real estate deals and restaurant openings worth millions, add interesting depth to this cozy as we discover how they are affected by Faulkner’s death. The gritty underbelly of the competitive restaurant scene, with its rivalry between chefs at the top of their game is spot-on in “An Appetite for Murder.” A couple real-life sous-chefs came to mind after reading one of the kitchen scenes.

 

When Hayley gets stuck in her investigations, she chats with homeless guys, a psychologist friend, her ex’s secretary, and a tarot card reader. She tries to feed info to the police, but she is still the one with the best motive – revenge against the girlfriend. The facts don’t necessarily support that reasoning, but the cops need a little nudge in the right direction – away from Hayley.

 

“An Appetite for Murder,” is a fun read with enough quirky, colorful characters and down-home, mouth-watering eats to make the Key West setting authentic. Burdette even includes three tasty looking recipes at the end of the book.

 

I suddenly have a craving for a slice of Key Lime pie. But, hold the poison.

 

Please visit www.lucyburdette.com to see the latest news about her Key West series. You can also find Burdette with the wickedly talented group of authors at www.jungleredwriters.com

 

 

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