mystery

“A Tine to Live, A Tine to Die” by Edith Maxwell

 

Book Cover - A Tine to Live A Tine to Die

Finding a body in the barn, complete with a pitchfork sticking out of its neck, would not be my favorite ‘before dinner’ activity. Organic farmer, Cam Flaherty, in Edith Maxwell’s “A Tine to Live, A Tine to Die,” doesn’t like it either. My grandfather had several barns and not one of them came decorated with a pitchfork sticking out of a body. He had the pitchfork, just not the body. Untidy, to say the least.

 

Flaherty has taken over the farm from her great-uncle and dreams of getting certified in order to sell organic produce to the locavores (people who eat locally produced food). She is not allowed to use chemicals to fertilize plants or kill bugs and has to follow those practices for several years before being awarded the coveted certificate. Her one employee, Mike Montgomery, doesn’t see the point, is tired of handpicking beetles off the potatoes, and stores decidedly toxic pesticide in the barn. Flaherty fires him for endangering her business – on the opening day of the harvest share. She’s only in year one of the certification process and can’t afford his sloppy work habits or his negative attitude.

 

Despite Montgomery’s absence, Flaherty has a successful first day with the customers and is hopeful about a good first season – as long as she can get volunteers to assist a few hours a week. But, six hours after she fires him, Montgomery is deader than dead inside the hoop house. Flaherty just might be the chief suspect in his murder, what with opportunity, suspected motive, and the blood on her clothes.

 

Unhappily, Flaherty discovers that not everyone is overjoyed about her dream. Some of the local farmers don’t want the extra effort of organic, see her as tough competition and may even think that the wrong person wound up with the pitchfork problem.

 

“A Tine to Live, A Tine to Die,” provides a peek into the life of a farmer: the dawn to dusk hours, the weeding, the seeding, the pests, the planting, the tilling, the harvesting and more. We get to see the business side of a modern farm, with websites and marketing to contend with in addition to the age-old problem of equipment breaking down just when you need it the most. Maxwell herself ran an organic produce farm for about six years, putting in eight-hour days in order to get the work done. She says she had no animals on the farm to deal with at the time, which allowed her to focus on the crops. I take care of flowers in my 1/3-acre backyard for an hour or so a day and I can’t imagine doing the weeding and pest control no matter what the weather with several acres of produce. It is backbreaking work. Big thank-yous to the farmers of this world!

 

Maxwell delivers an assortment of quirky characters, supportive friends, and suspects aplenty for the murder as well as later sabotage against the farm. Cam Flaherty’s childhood friend, Ruth Dodge (now a police officer) especially well drawn with marriage and job challenges, stands up satisfactorily for Flaherty when she can, but remains professional when she has to.

 

The subplots of illegal immigration, a past that still haunts Flaherty, as well as a budding love interest, are interwoven nicely with the stories of tasty meals prepared with produce fresh from the garden. “A Tine to Live, A Tine to Die,” ends as it began, in fine dramatic fashion with Flaherty proving to be a truly appealing lead character. She has foibles like the rest of us, and is able to deal with challenging issues when the situation calls for it.

 

Edith Maxwell’s comments at ‘Jungle Red Writers’ about being a farmer can be read here:

http://www.jungleredwriters.com/2014/06/the-unsettling-of-mystery-writer.html

 

For more information about Maxwell, as well as her most recently published book featuring Cam Flaherty, “ ’Til Dirt Do Us Part,” please visit www.edithmaxwell.com

 

 

 

 

 

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“Dear Killer” by Linda Lovely

 

Book Cover - Dear Killer

Marley Clark is a recently widowed, bored, former Army intelligence officer who takes on a job as a security guard for a Dear Island community in order to stay busy.  The gig is mostly routine until one night, she discovers the naked body of a local resident, floating face down in a vegetable-crammed Jacuzzi. Nearby, a message is scratched into a palm tree pot: “STEWED.”

 

The locals are not equipped to handle one murder, let alone the others that follow in rapid succession in "Dear Killer." A deputy arrives from the mainland to help out with the sleuthing. Who would want these people dead? Why stage the crime scenes in such bizarre fashion? And what ties them all together? Clark, the deputy, and friends work together to stop the mayhem, despite repeated threats and close calls.

 

As romantic suspense dictates, the deputy becomes Clark’s boyfriend. A boyfriend who is hot, younger and might not be interested in a one-night stand. And, because this is adult romantic suspense, Clark has some vivid fantasies that eventually lead to actual sexual interludes and some self-doubt about whether she can move on after a year in mourning.

 

In her debut novel, Linda Lovely was on a campaign to let readers know that the over 50 year old crowd is alive and well, sexually active, vital to the community, and lovin’ it. Lovely succeeded in "Dear Killer" and had great fun with her lead character along the way. Clark’s best pal is a snarky, free-spirited gal with a sailor’s vocabulary. This is not your grandmother’s cozy read. The bad guys are sleazy, the murders grisly, the similes and adjectives fly, and the clues are pun-filled.

 

Lovely has penned a novel set in the Low Country of South Carolina. Dear Island itself may be fictional, but descriptions of the area’s history, food, lifestyle and geographical character are authentic. Other readers who live in that section of South Carolina say it’s all spot-on.

 

Go to www.lindalovely.com for more information about Linda Lovely, her dedicated work in the writing community, and her recent books.

 

 

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“Even Money” by Dick Francis and Felix Francis

 

Book Cover - Even Money

“Even Money,” by former champion steeple chase jockey Dick Francis and his son, Felix, takes us behind the scenes of a smalltime legal bookie’s business in England. Ned Talbot is working his spot at Royal Ascot when an older man approaches and wants to chat about Ned’s grandfather, the man who started the family operation many years before. Hardly the time for a conversation, Ned puts him off until later in the day, annoyed by the intrusion.

 

Three hours later, after revealing that he is the father Ned thought died long ago in a car crash, the man is mortally stabbed in front of Ned in the track parking lot, by an attacker who keeps asking where his money is. With the “Be very careful of everyone” warning on the father’s dying breath, “Easy Money” is off and running.

 

Why was he stabbed? What money? Was the man really his father? If so, where had he been for the last thirty-six years? Anger and frustration and grief hit full force as Ned tries to sort it all out. When a stranger breaks into Ned’s house looking for his father’s property, Ned knows that whatever else, his father was up to no good before he died.

 

The police discover that his father had traveled from Australia under a different name, and of course, don’t quite believe Ned’s version of the mugging. Ned must deal with the death, the police and the questions he has, all while working to have his wife released from a mental institution. Pressured at every turn, Ned must even fend off thugs from a betting syndicate that is trying to force out smalltime bookies.

 

What unfolds is a multi-layered mystery set against the background of horseracing, with an emphasis on the betting. The Francis team has the task of explaining how betting works for both the punter (the person who places the bet) and the bookie. They describe the process simply enough so that the average reader can follow that particular storyline. A bookmaker’s odds chart is provided at the beginning of the book, but while interesting, it is not essential to understanding the action. A note: the British system of betting is a bit less controlled than the U.S. system, with more leeway for placing and paying out bets.

 

The racing world in “Even Money” has arrived at modern day, with internet betting, computerized betting stubs, RFID chips for horse identification, horse passports, wi-fi and cell phones.

 

We learn of the latest schemes to switch good and bad horses just before a race – long gone are the days when a horse could be painted and passed off as a different mount. International racing comes into play as some of his father’s secrets are revealed.

 

Ned Talbot seems tough enough and clever enough to cope with all the complications that pop up as he solves the several puzzles and deals with horrible truths about his father. Ned is not a super hero James Bond type, though; his handling of the many twists and turns seem possible even for the common guy. And that’s why we root for him. We can see ourselves in the same tight spots and know with a little luck and quick thinking that we could be masters of our own fates, too.

 

He has able assistants at the track and I especially liked Luca and Duggie. They seem perfectly suited for the technical know-how and showmanship needed in the book. The bad guys are interesting and vary according to their level of motivation in the story and what they want from Ned. The payback scheme at the end is terrific and worthy of a heist movie.

 

Among other awards, Dick Francis was a three-time winner of the Edgar Award, bestowed by the Mystery Writers of America. He wrote forty-three bestselling novels and was widely considered to be one of the best thriller writers in the world.

 

“Even Money” was published in 2009 and was the third of four novels co-written by Dick and Felix Francis. Dick Francis passed away in early 2010 and the fourth book was published later that year. For more information about Dick Francis and his career, as well as Felix and how he is carrying on the family business, please visit www.felixfrancis.com

 

 

 

 

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“Clammed Up” by Barbara Ross

 

Book Cover - Clammed Up

 

Last time I checked, murder is not on a wedding caterer’s official to-do list. They would have a tough time getting paid if bodies started popping up during the reception. But, that’s exactly what happens to Julia Snowden in Barbara Ross’ “Clammed Up.” An already cash strapped family business faces disaster when the groom’s missing best man is found hanged on the island where the clambake reception will be held – before wedding vows can even be exchanged.

 

Why is Ray Wilson dead? How did the body get there? How many people had a motive? Will the murder kill the business or bring the tourists in droves? Will the bank listen to reason? So many questions raised by Ray’s untimely demise, and Ross supplies us with multiple answers for each in this charming cozy.

 

Julia Snowden is back in Maine to save the family clambake business. Her father is dead, her brother-in-law has over-borrowed to keep the operation afloat, and Julia (with her venture capitalist background) seems like the perfect person to save the day. Except that the bank doesn’t want to hear her tale of woe; they will call in the loan of $1.5 million dollars if the business is closed for more than five days during the short Maine tourist season. The pesky murder takes up one of those days. And counting.

 

The murder, the engaged couple with lots to hide, the childhood crush who has grown into a hunky young man, an AWOL son, family accusations and betrayal, the police who seem to be dragging their heels, millions of dollars at stake, the friends who act as sounding boards when Julia can’t figure out why all this is happening – all combine to make “Clammed Up” a very satisfying mystery. The important characters are agreeably drawn – Gus, the restaurant owner, is a gem and his ‘house rules’ are hilarious. He carries the Maine anti-outsider bias to extreme by barring anyone he doesn’t know – and gets away with it.

 

Beyond the inventive storyline, “Clammed Up” introduces us to the behind-the-scenes world of a real Maine Clambake and tells us how the seafood is stored to keep it fresh and cold. We are walked through a dinner prep and service, with the entire staff working to get the food on the tables so that each guest can have the full experience of cracking the lobsters, opening the clams, and wearing the bibs, all at the same time.  Although not really a foodie book, Ross does weave food deliciously throughout the plot with a conversational tone – Julia sharing her story over a bottle of cold Sea Dog ale, chatting about the meals she has eaten along the way to solving the crime.

 

The prominent subplot of the precarious seasonal businesses at the Maine coast is handled effectively. Ross discloses the constantly present issues of bad weather and limited time available to make the yearly income, and it is clear that both play a huge role in the livelihood of both employers and employees alike. Rain keeps the tourists away and everybody suffers. B&B owners give up their own bedrooms for paying customers for the season, just so the bills can be paid for the rest of the year. A few rainy days scattered throughout the summer is bad enough, but if a hurricane hits and homes or businesses are damaged, or the economy slumps and people stay home, then disaster strikes. Not everyone has the cash reserves to come back from that, as has been demonstrated after real-life disasters up and down the East coast of this country.

 

Happily, there are mouthwatering recipes at the end of “Clammed Up.” I can’t wait to try the lobster mac & cheese and the blueberry grunt. I’m already salivating and getting my grocery list ready.

 

Barbara Ross’ thoroughly enjoyable “Clammed Up,” is an Agatha Award nominated book for Best Contemporary Novel. I’ll post the results after the votes are in this weekend.

 

Please visit www.maineclambakemysteries.com for more information about Barbara Ross and her next book in the series, “Boiled Over.”

 

 

 

 

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“Palmetto Poison” by C. Hope Clark

 

Book Cover - Palmetto Poison

 

Carolina Slade is back in “Palmetto Poison” and feistier than ever, as a Special Projects Investigator for the South Carolina Department of Agriculture. Sounds like a dull job with a lot of pencil pushing, right? HA! Slade is anything but dull and in her job, she’s more likely to push the envelope than a pencil on any given day. She’s been promoted because of her death dodging, investigative work in an earlier case, and she has the scars to prove it.

 

Slade’s promotion sends her to Columbia, SC where she has built a house on a lake with her crooked dead husband’s insurance money. She still has a thing going with Wayne Largo, a Special Agent for the Office of the Inspector General. That off again, on again relationship has potential, but each of them has trust issues, more fully explored in “Palmetto Poison.”

 

Slade’s old job focused on chasing down “bad farm loans and crooked farmers,” but her new boss gets Slade involved in State House politics, big money, drug thefts, and old romantic scandals intertwined with possible deadly peanut mold toxins. An overlapping case (that pulls in Largo) centers on a notorious drug dealer, a witness who refuses to testify, and the obsessive behavior of a tenacious federal agent. It seems as if everybody is using Slade for his or her own benefit – she is a crack investigator after all – but trying to question everyone may get her fired…or dead.

 

Her flighty sister, Allegra Jo arrives, having been thrown out by their mother who needed a break from her continuing free-wheeling attitude. Slade doesn’t know whether to give her a ‘Best Aunt of the Year Award,’ strangle her, or throw Ally out for being more popular than she is with her own kids.

 

Yup, Slade has a problem with jealousy and not just over family matters. Largo’s ex-wife Pam, a DEA agent, is in town and working on a case that of course, must involve them both. Arghhhh…why does she have to be so cute…and capable? Slade is turning greener than the lush Carolina countryside and can’t keep her mouth shut.

 

A multi-layered “Palmetto Poison” subplot focuses on family issues and the complexities of those relationships. What happens when the normal day-to-day routines are disrupted and impacted by a parent’s demanding work schedule? Can the job be too dangerous if it places the family in harm’s way, even accidentally? Clark gives us an insight into teenaged dumb choices and adult sibling responsibility, and you’ll be reminded of why you love (or hate) your assorted wacky in-laws and why you probably would not trade them (as infuriating as they are) for anything. Even if they do test the boundaries of your commitment to your spouse.

 

In “Palmetto Poison,” Clark has delivered realistic chase scenes and shootouts, smart dialogue, a nudist resort, convincing family drama, romance, and juicy politics, all against the backdrop of steamy South Carolina. Clark keeps getting better and her fans will love this third title in the series.

 

For more information about C. Hope Clark’s award winning writing and her highly respected site, FundsforWriters.com, please visit www.chopeclark.com

 

To read my review of the first book in the Carolina Slade series, “Lowcountry Bribe,” go here.

 

 

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“Haunted Ground” by Erin Hart

 

Erin Hart’s debut novel, "Haunted Ground," opens with Brendan McGann digging for peat to use as winter fuel, a ritual his ancestors have practiced in that very spot in East Galway as far back as anyone can remember. He is used to finding odd bits of pottery, but this day, he finds a woman’s head buried in the bog.

 

Cormac Maguire, a Dublin archeologist helping out the National Museum, is asked to oversee the excavation in order to preserve this rare find. Dr. Nora Gavin, an American lecturer with Irish roots, has a special interest in bog bodies and is also notified. And so are the police, who are looking for a missing woman married to a local landowner, Hugh Osborne.

 

The unique properties of the bogs have been known to preserve artifacts, bodies, and even food for centuries and they hold a fascination for archeologists. There is no sign of Osborne’s wife, but Maguire and Gavin get caught up in the mystery of discovering who the centuries old red-haired woman was and how only her perfectly preserved head came to be there. The policeman continues his own, mostly single-minded, investigation.

 

Yes, there is more than one puzzle to be solved. When asked to stay around in order to complete an archeological survey for Osborne, Maguire agrees and devastating secrets from the modern era are revealed. It seems as if everyone in "Haunted Ground" wrestles with family issues of one sort or another – a marriage in trouble, a lost love, a tragic disappearance, middle-age crisis, family shame, revenge, and more. The conflicts feel real and we want to see them resolved, as well as follow the mysteries to their conclusion.

 

The subplots reveal Hart’s love for Irish music, infusing the storyline through several characters. Maguire is a flutist in his free time and Nora, it turns out, has a hauntingly beautiful voice. Devaney, the policeman, plays a fine fiddle and uses his music to bond with his daughter. We learn of the small pubs where songs both old and new can be heard. Ah, to be there on a night when the locals play their hearts out, merely for the love of the tune and maybe a pint of Guinness.

 

In real-life, the entire bog system is under scrutiny by environmentalists because not only is peat a non-renewable resource, the bogs are wildlife habitats, home to species found nowhere else in Europe. There are factions that would have all bog digging banned for commercial use.

 

My own memories of the green hills of Ireland were stirred by Hart’s description of the lush countryside. I had not thought of the east to west differences in years, the shift from city to villages, the changes in terrain, language, music and even the pace of life. In "Haunted Ground," Hart gives us an insider’s view of the culture and wonderful history of the area. The reader will feel as if Hart is chatting about home.

 

"Haunted Ground" was nominated for the Anthony and Agatha awards, and won the Romantic Times Best First Mystery award. There have been three additional, very successful books in the series featuring Cormac and Nora.

 

Please visit www.erinhart.com to see what Hart is up to now. In addition to her writing, she conducts yearly tours in Ireland, with a select few readers. Check into this year’s itinerary for Hart of Ireland. There may still be time to sign up for the September trip.

 

 

 

 

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“A Skeleton in the Family” by Leigh Perry

 

Book Cover - A Skeleton in the Family

The cover of Leigh Perry’s “A Skeleton in the Family” intrigued me, so I had to take a peek inside the sample that Barnes and Noble happily provides for would-be buyers. I was hooked as soon as Sid came clattering down the hall.

 

Dr. Georgia Thackery is an intelligent adjunct English professor at a Massachusetts college, who moves into her parents’ house with her daughter, Madison. A skeleton named Sid lives in the attic, as he has since he saved Georgia when she was six.

 

Sid is not just any ordinary skeleton. He walks, talks, reads, can use the phone and a computer, spells better than Dr. Thackery, and can be easily collapsed into a suitcase for traveling purposes. There’s just one problem. He doesn’t know who he really is – or was, in his live past.

 

While on an outing to a manga/anime conference (with Sid in full cosplay – basically looking like himself) Sid sees someone whose face jogs his long lost memory. Sid soon agrees to an examination that reveals his own murder thirty years before. He seems like a nice enough skeleton, so who did it and why?

 

That exam leads to break-ins, suspicious behavior, assaults and more murder, with multiple oddball suspects. The supporting characters are as interesting as they are varied, including a hunky reporter boyfriend, a locksmith sister, a normal teenager, a nasty colleague, a talented grad student and other academic types. In “A Skeleton in the Family,” that mix blends perfectly with the clever interaction between Georgia Thackery and Sid. With occasional nods to bones falling off and dogs taking nips at tasty ulnas, the conversation between these two best friends is as normal as any sleuthing duo could have.

 

One of the nicely drawn subplots addresses the issue of adjunct faculty realities. We tend to think of adjunct college professors as part-timers who are basically working a second job, but not really interested in doing anything more. That may have been true in the past, but Perry makes the point that times have changed. In a cost-cutting move, universities across the country now hire part-timers so that they don’t have to pay the benefits and regular salaries given to full-time staffers (who might only teach one more course than their counterparts). Many adjuncts struggle to make ends meet as they move from school to school in search of that ever-elusive tenure track.

 

Sid the Skeleton, as crime solver? The clattering on the wooden floors might take some getting used to, but I could use an office assistant/puzzle solver that types faster than I do, has a logical mind, and can get from one side of a door to the other without ever opening it.   😉

 

“A Skeleton in the Family” is a very clever, engaging book with several LOL moments. I’m eagerly waiting publication of “The Skeleton Takes a Bow.”

 

Please visit www.leighperryauthor.com to read about Sid, Dr. Thackery and Perry’s upcoming work.

 

 

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