A successful writer, separated from a bullying husband, meets a swoon-worthy art professor on the beach and is seduced, not at all reluctantly. During this “Indiscretion,” Zoe Swan relishes the wonderful attention she receives, something that has been missing from her marriage for a very long time. The lovers spend several passionate days together until some truths are revealed – none of them good.
The art prof is not who he seems and Zoe is suddenly caught up in a dangerous game involving a Vermeer stolen during the 1990 Isabella Stewart Gardner Museum heist in Boston. Her condo is trashed, someone is dead, and her almost-ex, David, is called by the police to answer questions. When it looks as if Zoe is under suspicion for everything that is happening around her, her shady brother-in-law is approached for help as a last resort.
Iyer gives us authentic characters in “Indiscretion,” with a story that flows effortlessly between the art heist and the consequences that befall everyone involved. We’re never sure whom to trust in this interplay of shady art world, antiquities, and both good and bad law enforcement officers. Zoe may be the only one we can believe to be exactly who she says she is, keeping the reader thoroughly absorbed with each new twist.
Iyer’s interesting subplot in “Indiscretion” plays brothers against each other as family debts are called into question. A temporary alliance is made with David and it’s hard to tell why he didn’t become a bonafide -ex years ago. Iyer nails David as a character, and makes us understand the complex dynamics of this marriage gone bad.
The total value of the entire missing collection is pegged at nearly 500 million dollars and a LOT of people want some of that action. The race is on to retrieve the hidden masterpiece and stay one step ahead of the several groups out to get rid of the amateurs in the way. Iyer’s version of the real-life art theft from the Gardner Museum is explored and is as entertaining as any I’ve read. The surprising revelations will keep you turning the pages until the end.
The Gardner decided that they would leave the frames empty until the paintings were recovered, but it’s haunting to visit the museum and see the vacant places where the paintings once hung. A daring heist to be sure, and amazing that 25 years after the theft, the paintings are still officially unaccounted for. There have been suspects, but the statute of limitations has long since passed. The Museum would just like to get the paintings back. There is a 5 million dollar reward for their return.
“Indiscretion” is a Kindle Scout winner.
For more information about Polly Iyer and her work, please visit www.pollyiyer.com
*Contains adult themes and dialogue.
Israeli top spy/art restorer, Gabriel Allon, would rather be working on a major art restoration in Italy, but a blackmailing member of the Italian Art Squad is able to tear him away from his project with a threat. In “The Heist,” a corrupt British spy who had been selling stolen artwork to an anonymous art collector winds up dead and a famous painting has gone missing. Enter Gabriel with his special expertise. In order to get an art dealer friend and associate cleared of suspicion for dealing in stolen goods, Gabriel must agree to do the impossible.
A plan is devised to lure the real thief (and murderer) into the open in order to find and recover a masterpiece that has been missing for decades – Caravaggio's Nativity with St. Francis and St. Lawrence. But, Allon, next in line for the job as the head of Mossad, has friends and enemies in high places and it will be tricky to keep all the parties, himself included, alive and focused on the end game.
As we expect in Silva’s riveting series, the stakes in Gabriel’s personal and professional lives are higher than ever. In “The Heist,” Gabriel bends the laws of more than one country, enlists the assistance of men that specialize in assassination and special ops, and adds an additional layer of danger in order to help a survivor of a brutal attack years before in Syria. Returning characters create continuity for the series and keep the pages turning in true Silva fashion.
Silvia's books give the reader a look at the world of politics and spies from an Israeli understanding, but we are always presented with multiple views of each of the conflicts addressed. “The Heist” is no different. This is a serious novel that tackles the Syrian turmoil, the effect of a country at war with itself, and its place within the context of the larger Middle East complexity.
As Gabriel is called upon to help his old friend, he is torn between duty to country and the price he has paid for it over the years. The excitement of the caper unfolds on the pages, but there is also a more cerebral feel to "The Heist " – perhaps a nod to an aging Allon looking back over his life and taking stock. The action is less physical than in the previous book, “The English Girl,” as we are enmeshed in the worlds of art restoration, high finance, bank transfers, and politics, but there is plenty of action nonetheless.
“The Heist” is the fourteenth title in the sixteen book (so far) Gabriel Allon series.
Please visit www.danielsilvabooks.com for more information about Daniel Silva and his work.
Talented artist Claire Roth, makes her living painting copies of old Masters and Impressionists for Reproductions.com. This is a completely legitimate occupation, requiring only that the buyer be made aware that the painting is a reproduction. Starving artists need to pay the rent, so if people want the copies hanging in their homes, Roth is happy to oblige and talented enough to recreate the best.
While in grad school, Roth worked with a well-known Boston area artist who took credit for a large piece she painted under his direction. When the canvas was chosen to hang in MoMA, Roth was horrified at his duplicity, publically claimed the work as her own, but was disgraced when she could not prove it. For the next three years, she was a pariah in the art world, barely keeping her head above water, needing the Repro jobs to survive.
A Boston gallery owner, Aiden Markel, knows of Roth’s talent despite the scandal, is curious about her status, and sees a Degas copy she is working on. He asks Roth to copy one of the paintings from the Gardner Museum theft. Illegality is discussed, but “there is illegal and there is illegal,” and Markel promises that the Gardner painting will finally be returned to the Museum. It’s all for the greater good.
Markel bribes Roth, not with money (although there will be $50K when she completes the painting) but with the chance to work with a genuine Degas, and most importantly, with fame via her own one-woman show that would legitimize her work to the world.
What could possibly go wrong?
Markel and Roth discuss the feasibility of getting caught with the Degas in their possession, but the very phrase “What’s a promise among thieves?” hints at the heist/con feeling of the book, the danger inherent in every choice that is made to keep the original painting secret.
Roth’s talent and training are both her gift and her undoing in this suspenseful mystery. The authentication process of the pieces in “The Art Forger,” both condemns and exonerates her as the story unfolds. We are privy to a fascinating look at how the rarefied art world works and when we read, “People see what they expect to see. Including the experts,” we believe it.
Shapiro has the inspired sense to ground the lofty merits of the scheme with the most human of thoughts in Roth’s internal struggle – this down-on-her-luck artist needs a new cellphone and a real bed and wants the red couch that is 70% off down the street. It’s the dream of a lifetime, but after all, Roth eats mac and cheese to subsist, despite the promise of more.
Art and museum lovers will revel in the marvelous descriptions of the methods used to create an oil painting, whether Modern or Impressionist or forgery. The techniques, the brush strokes, the materiel, the entire process – all accurately depicted as a result of Shapiro’s extensive research. We feel Roth’s excitement, her aching back, her sweat, while she paints and is swept into the passion of her creations.
The real-life theft of the paintings at the Isabelle Gardner museum in Boston (still unresolved over twenty years after the fact) is the underpinning for “The Art Forger” plot. Shapiro has embellished the actual robbery with extra players and weaves a terrific story that kept me spellbound throughout. The FBI, paintings that are not as authentic as they appear, the courts, jail-time, back-stabbing colleagues, a love interest, the remaining descendant of Isabella Stewart Gardner, the Museum itself – are masterfully intertwined in this superb New York Times best-seller.
One theory posited in the book for the reason that the paintings are still missing is that some were used like ‘blood paintings’ (a la ‘blood diamonds’) as barter for guns or drugs or a hedge against some other deal. In real life, it is thought that some of the paintings may be lost or damaged, gone forever. In any case, despite the statue of limitations having run out, and a $5 million reward, nothing has been found.
Click on the link to read about the actual heist:
Please visit www.bashapirobooks.com for more information about Barbara Shapiro and her work.